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Transfiguration: The Religion of Art in Nineteenth-Century Literature by Stephen Cheeke, ISBN-13: 978-0198757207
Transfiguration: The Religion of Art in Nineteenth-Century Literature by Stephen Cheeke, ISBN-13: 978-0198757207 [PDF eBook eTextbook] Publisher: Oxford University Press; Illustrated edition (November 17, 2016) Language: English 288 pages ISBN-10: 0198757204 ISBN-13: 978-0198757207 Transfiguration explores the work of John Ruskin, Robert Browning, Dante Gabriel Rossetti, and Walter Pater, treating in particular […]
Description
Transfiguration: The Religion of Art in Nineteenth-Century Literature by Stephen Cheeke, ISBN-13: 978-0198757207
[PDF eBook eTextbook]
- Publisher: Oxford University Press; Illustrated edition (November 17, 2016)
- Language: English
- 288 pages
- ISBN-10: 0198757204
- ISBN-13: 978-0198757207
Transfiguration explores the work of John Ruskin, Robert Browning, Dante Gabriel Rossetti, and Walter Pater, treating in particular the ways in which they engaged with the Christian content of their subject, and, in Pater’s case, how the art of Christianity was contrasted with classical sculpture.
Stephen Cheeke examines two related phenomena: idolatry (a false substitution, a sexual betrayal), and the poetics of transfiguration (to elevate or glorify subject matter not thought of as conventionally poetic, to praise). Central to the book is the question of the “translation” of religion into art and aesthetics, a process which supposedly undergirds the advent of the museum age and makes possible the idea of a ‘religion of art’ as a phenomenon of late century Aestheticism. Such a phenomenon is prepared for, however, through the engagement with Christian painting and classical sculpture in the work of these four writers. All four thought carefully about the ways in which a particular mimetic impulse of ‘making-live’ in artworks could be connected to religious experience. This meant exploring the nature of the link between seeing and believing–visualising in order to conceive, to verify, but also in the sense of being acted upon by the visible. All four wrote about the great power of artworks to transfigure the objects of their attention. In each case, there emerges the possibility of a secret sexual knowledge hiding within, or lying on the other side of the sensuous knowledge of aesthesis. All four wondered whether this was inherently hostile to Christianity, or whether it may, finally, be an accommodation within it.
Table of Contents:
Introduction: ‘Strange Worship’
1. The Religion of Art in the Nineteenth Century
2. Transfiguration: The Story of a Masterpiece
3. Browning and the Problem of Raphael
4. ‘All Great Art is Praise’: Ruskin’s ‘Fra Lippo Lippi’
5. ‘The Queen of Sheba Crash’: Ruskin’s Conversions
6. What Did Rossetti Believe?
7. Walter Pater’s Indifference
Afterword: Idolatry
Bibliography
Stephen Cheeke is a Senior Lecturer in English at the University of Bristol. His previous books are Byron and Place: Literature, Translation, Nostalgia and Writing for Art: The Aesthetics of Ekphrasis.
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